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Deviation Actions
Well, so much for that. So far, every replacement print image I've submitted has been rejected.
I really don't know what I'm going to do about it.
As far as I can tell the problem may be that in adjusting the print images so that they will print true to the appearance of the originals, I have now made them look different from the original deviations. Ideally, from the Quallity Assurance standpoint, the print files should look exactly like the original deviations even if that results in prints whose color balance is wrong.
In theory I could post new deviations that all are too pale and shifted toward green,so that they would then resemble the images I submit for print. Then you'd never see the images as they are meant to look unless you bought a print. Honestly, I'm not sure what to do.
Why isn't the print process rejected rather than the images? And why are we not allowed to adapt our images to that process so that they will look correct?
I really don't know what I'm going to do about it.
As far as I can tell the problem may be that in adjusting the print images so that they will print true to the appearance of the originals, I have now made them look different from the original deviations. Ideally, from the Quallity Assurance standpoint, the print files should look exactly like the original deviations even if that results in prints whose color balance is wrong.
In theory I could post new deviations that all are too pale and shifted toward green,so that they would then resemble the images I submit for print. Then you'd never see the images as they are meant to look unless you bought a print. Honestly, I'm not sure what to do.
Why isn't the print process rejected rather than the images? And why are we not allowed to adapt our images to that process so that they will look correct?
Thrilling Tales of the Downright Unusual
I've been working for the last several months on a project called Thrilling Tales of the Downright Unusual, and it's just (finally!) launched. Thrilling Tales is a series of (densely) illustrated and (lightly) interactive stories from the retro future that can be read in their entirety at the web site (for free!) or purchased as full color books (not for free!). There are also some free downloads like desktop wallpapers and screen savers and, for the moment, a single diversion in the site's Derange-O-Lab. That's the Pulp Sci-Fi Title-O-Tron, a random pulp science fiction title generator.
The first Thrilling Tale is Trapped in the Tower of th
News from the Secret Laboratory
It’s been a busy Spring and Summer so far; but just about all the work I’ve been doing has been on my web sites, so there hasn’t been much to upload here. Last year I spent about nine months on a very large project – so large that even those months barely scratched the surface of it – and this year I’ve been trying to undo some of the resulting neglect of my commercial ventures. Since although I may be a shiftless layabout, I’m not a wealthy shiftless layabout.
Late last week I got distracted from what I ought to have been doing by a program that generates height maps, for realistic 3D terrain, and
Postcard from Nova York
It's just been nonstop, screwball comedy hijinx day and night here in the secret laboratory, if by "nonstop etc." you mean working constantly for months at a stretch on something so huge that even months of work don't make a dent in it.
It's my own fault, of course; last year I carried out a plan that was meant to give me lots of time to spend on a project of my own after many years of day jobs in which I spent my time and mojo on Other People's Dreams, or possibly, on Other People's Schemes, or - most likely -on both.
So I shuffled through the stacks of stuff in the Idea Closet and what fell on me there was one of my ver
Emanations from the Retrosphere
I know this is weird, but it's turned out that leaving the Day Job has left me even less time for DA lately.
Over the past couple of months I took a good look at what I was doing with my websites, then redesigned a couple, added a couple of new ones, and started thinking about them less as a series of projects and more like the parts of one system. That has kept my head pretty well buried in 'em for awhile but I think it was time well spent. It'd been actual years since I made any major changes at my personal site, for one, and it's the clip art pages there that draw more traffic than anything else I've got. Behold the power of free stuff
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